Postmodern Canadian Fiction And The Rhetoric Of Authority Pdf

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Identity politics is an approach to politics by which people of a particular religion , race , social background , class or other identifying factor organize themselves politically based on the systems of oppression that apply to them because of these identities. Identity politics centers the lived experiences of those facing various systems of oppression to better understand the ways in which racial, economic, sex-based, gender-based, and other forms of oppression are linked and to ensure that political agendas and political actions arising out of identity politics leave no one behind. The term was coined by the Combahee River Collective in

Identity politics is an approach to politics by which people of a particular religion , race , social background , class or other identifying factor organize themselves politically based on the systems of oppression that apply to them because of these identities. Identity politics centers the lived experiences of those facing various systems of oppression to better understand the ways in which racial, economic, sex-based, gender-based, and other forms of oppression are linked and to ensure that political agendas and political actions arising out of identity politics leave no one behind. The term was coined by the Combahee River Collective in

Chamberlin suggests that the French- and Spanish-speaking islands have similar relationships to imperial languages, but the limits of this study make it clear that language defines different identities, even if those identities are constructed homologously and in solidarity with each other. The one regret I have is that Chamberlin may be too celebratory. By emphasizing the common project, he gives little sense of how Walcott and Brathwaite differ, and, of course, they differ as much as Auden does from Pound. Postmodern Canadian Fiction and the Rhetoric of Authority originated from a dissertation completed at York University; much of the work, however, has seen publication elsewhere. His terminology is used with definite and uncompromising precision.

Speculative fiction

Moreover, it is often hard to judge Davey's attitude to the forces massed. Most of the time, Canadian nationalism is scorned as a manifestation of the power of the centre; occasionally it is admitted that this is not always the case. That Canadian literature now means a multiplicity of different voices based on identities other than white straight male Ontarian is warmly welcomed, but it is too easily assumed that the clamour for 'regional' interests is necessarily a progressive gesture. I would argue that if the struggle against sexism, racism, and homophobia in Canada is best fought 'transregionally,' and that regionalism has served the interests here called 'the centre' by making class solidarity impossible. Davey notes the increase in allegiances which construct 'transnational' identities based on gender, sexuality, or ethnicity. At times he seems to welcome this, at others to recognize any weakening of national identity in the name of difference as, ironically, increasing vulnerability to the forces of global uniformity. The critical reception of one of the novels under study, Sheila Watson's The Double Hook, largely bears out Deer's contention; critics of the novel have been, for the most part, reverential, contenting themselves with tracing various mythological and archetypal patterns.

Speculative fiction is a broad category of fiction encompassing genres with certain elements that are nonexistent in terms of reality , recorded history , or nature and the present universe , covering various themes in the context of the supernatural , futuristic , and many other imaginative topics. Speculative fiction as a category ranges from ancient works to both paradigm-changing and neotraditional works of the 21st century. In historiography , what is now called speculative fiction has previously been termed "historical invention", [7] " historical fiction ", and similar names. In mythography the concept of speculative fiction has been termed "mythopoesis" or mythopoeia , "fictional speculation", the creative design and generation of lore, regarding such works as J. Tolkien 's The Lord of the Rings. The creation of speculative fiction in its general sense of hypothetical history , explanation , or ahistorical storytelling has also been attributed to authors in ostensibly non-fiction mode since as early as Herodotus of Halicarnassus fl. These examples highlight the caveat that many works now regarded as intentional or unintentional speculative fiction long predate the coining of the genre term; its concept in its broadest sense captures both a conscious and unconscious aspect of human psychology in making sense of the world , and responding to it by creating imaginative , inventive , and artistic expressions.

In this chapter, I will treat postmodernism in the United States and in Canada predominantly as a historical phenomenon, which peaked in cultural production and scholarly discussion from the s through the s. Exploring the field of literature, my survey of post-modernism in both countries will chart what I deem the heyday of the critical reception and promotion of post-modernism in the respective national literatures, while also pointing out the blind spots and fault lines that come with this perspective. The focus will be on Anglophone Canadian literature, while neglecting the literary production of Quebec and other French-speaking literatures in Canada see chs. Likewise, for reasons primarily of practicability, I will narrow down my exploration of postmodernism to the genre of fiction writ-ing, thus eclipsing poetry and drama. Unable to display preview.

Identity politics

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Magic realism

Magic realism also known as magical realism or marvelous realism is a style of fiction and literary genre that paints a realistic view of the modern world while also adding magical elements, often deals with the blurring of the lines between fantasy and reality. The term magic realism is broadly descriptive rather than critically rigorous, and Matthew Strecher defines it as "what happens when a highly detailed, realistic setting is invaded by something too strange to believe. In Japanese literature , one of the most important authors of this genre is Haruki Murakami.

 Это что еще за чертовщина? - возмутился Джабба. - Сидите тихо, - приказал Фонтейн. Люди на экране вроде бы сидели в каком-то автобусе, а вокруг них повсюду тянулись провода.

Глаза его отсутствующе смотрели в пространство. - Странное дело, ей-богу, все эти буквы - ни на один язык не похоже. - Может быть, японский? - предположил Беккер. - Определенно. - Так вы успели его рассмотреть.

А ведь у нас в Третьем узле нет друг от друга секретов. Один за всех и все за одного. Сьюзан отпила глоток чая и промолчала. Хейл пожал плечами и направился к буфету.

 Где твои родители? - спросил Беккер. - В Штатах. - А связаться с ними пробовала.

2 Comments

  1. Sintiques E. 30.05.2021 at 15:27

    Postmodern Canadian Fiction and the Rhetoric of Authority Your institution does not have access to this book on JSTOR. Read Online · Download PDF.

  2. Russell G. 31.05.2021 at 06:09

    Postmodern Canadian Fiction and the Rhetoric of Authority by. Glenn Deer (​review). Trent Keough. ESC: English Studies in Canada, Volume 21, Number 1.