The Myth Of The Eternal Return Cosmos And History Pdf

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This is an essay which everyone interested in the history of religion and in the mentality of ancient man will have to read. It is difficult to speak too highly of it. Mircea Eliade was the Sewell L. Jonathan Z.

The Myth of the Eternal Return

The " eternal return " is an idea for interpreting religious behavior proposed by the historian Mircea Eliade ; it is a belief expressed through behavior sometimes implicitly, but often explicitly that one is able to become contemporary with or return to the " mythical age"—the time when the events described in one's myths occurred. This sharp distinction between the sacred and the profane is Eliade's trademark theory. According to Eliade, traditional man distinguishes two levels of existence: 1 the Sacred, and 2 the profane world.

Here "the Sacred" can be God, gods, mythical ancestors, or any other beings who established the world's structure. To traditional man, things "acquire their reality, their identity, only to the extent of their participation in a transcendent reality". Hence, there is profane space, and there is sacred space. Sacred space is space where the Sacred manifests itself; unlike profane space, sacred space has a sense of direction:.

In the homogeneous and infinite expanse, in which no point of reference is possible and hence no orientation is established, the hierophany [appearance of the Sacred] reveals an absolute fixed point, a center. Where the Sacred intersects our world, it appears in the form of ideal models e. All things become truly "real" by imitating these models. Eliade claims: "For archaic man, reality is a function of the imitation of a celestial archetype.

The Zurvanites believed that each thing on Earth corresponds to a sacred, celestial counterpart: for the physical sky, there is a sacred sky; for the physical Earth, there is a sacred Earth; actions are virtuous by conforming to a sacred pattern. According to Mesopotamian beliefs , the Tigris has its model in the star Anunit and the Euphrates in the star of the Swallow.

A Sumerian text tells of the "place of the creation of the gods," where "the [divinity of] the flocks and grains" is to be found. For the Ural—Altaic peoples the mountains, in the same way, have an ideal archetype in the sky. In Egypt , places and nomes were named after the celestial "fields": first the celestial fields were known, then they were identified in terrestrial geography.

Further, there is profane time, and there is sacred time. According to Eliade, myths describe a time that is fundamentally different from historical time what modern man would consider "normal" time. According to Eliade, in the archaic worldview, the power of a thing resides in its origin, so that "knowing the origin of an object, an animal, a plant, and so on is equivalent to acquiring a magical power over them". By gaining control over the origin of a thing, one also gains control over the thing itself.

Eliade concluded that, if origin and power are to be the same, "it is the first manifestation of a thing that is significant and valid". Eliade's theory implies that as the power of a thing lies in its origin, the entire world's power lies in the cosmogony. If the Sacred established all valid patterns in the beginning, during the time recorded in myth, then the mythical age is sacred time—the only time that contains any value.

Man's life only has value to the extent that it conforms to the patterns of the mythical age. The religion of the Australian Aboriginals is supposed to contain many examples of the veneration paid to the mythical age.

Just before the dawn of the first day, the Bagadjimbiri brothers emerged from the Earth in the form of dingos , and then turned into human giants whose heads touched the sky. Before the Bagadjimbiri came, nothing had existed. But when the sun rose, and the brothers began naming things, the "plants and animals began really to exist".

The people of this tribe—the Karadjeri of Australia —still imitate the two brothers in many ways:. One of the Bagadjimbiri stopped to urinate That is the reason why the Australian Karadjeri stop and take up a special position in order to urinate.

The brothers stopped and ate a certain grain raw; but they immediately burst into laughter, because they knew that one ought not eat it so The Bagadjimbiri threw a primal a kind of large baton at an animal and killed it—and this is how men have done it ever since. A great many myths describe the manner in which the brothers Bagadjimbiri founded all the customs of the Karadjeri, and even their behavior.

The mythical age was the time when the Sacred appeared and established reality. For traditional man, Eliade argues, 1 only the first appearance of something has value; 2 only the Sacred has value; and, therefore, 3 only the first appearance of the Sacred has value. Because the Sacred first appeared in the mythical age, only the mythical age has value.

According to Eliade's hypothesis, "primitive man was interested only in the beginnings To traditional man, life only has value in sacred time. Eliade also explained how traditional man could find value for his own life in a vision of where all events occurring after the mythical age cannot have value or reality ; he indicated that, if the Sacred's essence lies only in its first appearance, then any later appearance must actually be the first appearance.

Thus, an imitation of a mythical event is actually the mythical event itself, happening again— myths and rituals carry one back to the mythical age:. In imitating the exemplary acts of a god or of a mythic hero , or simply by recounting their adventures, the man of an archaic society detaches himself from profane time and magically re-enters the Great Time, the sacred time. Myth and ritual are vehicles of "eternal return" to the mythical age. Traditional man's myth- and ritual-filled life constantly unites him with sacred time, giving his existence value.

As an example of this phenomenon, Eliade cites church services, by which churchgoers "return" to the sacred time of Scripture:. Just as a church constitutes a break in plane in the profane space of a modern city, [so] the service celebrated inside [the church] marks a break in profane temporal duration. It is no longer today's historical time that is present—the time that is experienced, for example, in the adjacent streets—but the time in which the historical existence of Jesus Christ occurred, the time sanctified by his preaching, by his passion, death, and resurrection.

Eliade attributes the well-known "cyclic" view of time in ancient thought to the eternal return. In many religions, a ritual cycle correlates certain parts of the year with mythical events, making each year a repetition of the mythical age. For instance, Australian Aboriginal peoples annually reenact the events of the "Dreamtime":. The animals and plants created in illo tempore by the Supernatural Beings are ritually re-created. In Kimberley the rock paintings, which are believed to have been painted by the Ancestors, are repainted in order to reactivate their creative force, as it was first manifested in the mythical times, at the beginning of the World.

Every New Year, the people of Mesopotamia reenacted the Enuma Elish , a creation myth, in which the god Marduk slays Tiamat , the primordial monster, and creates the world from her body.

They correlated the birth of the year with the mythical birth of the world. By periodically bringing man back to the mythical age, these liturgical cycles turn time itself into a circle. Those who perform an annual ritual return to the same point in time every days: "With each periodical [ritual] festival, the participants find the same sacred time—the same that had been manifested in the festival of the previous year or in the festival of a century earlier.

According to Eliade, some traditional societies express their cyclic experience of time by equating the world with the year:. The Yokuts says "the world has passed," meaning "a year has gone by. The cosmos is conceived [of] as a living unity that is born, develops, and dies on the last day of the year, to be reborn on New Year's Day.

At every New Year, time begins ab initio. The New Year ritual reenacts the mythical beginning of the cosmos. Therefore, by the logic of the eternal return, each New Year is the beginning of the cosmos. Thus, time flows in a closed circle, always returning to the sacred time celebrated during the New Year: the cosmos's entire duration is limited to one year, which repeats itself indefinitely.

These ritual cycles do more than give humans a sense of value. Because traditional man identifies reality with the Sacred, he believes that the world can endure only if it remains in sacred time.

He periodically revives sacred time through myths and rituals in order to keep the universe in existence. In many cultures, this belief appears to be consciously held and clearly stated. From the perspective of these societies, the world. The idea that the Cosmos is threatened with ruin if not annually re-created provides the inspiration for the chief festival of the California Karok , Hupa , and Yurok tribes.

In the respective languages the ceremony is called "repair" or "fixing" of the world, and, in English, "New Year". Its purpose is to re-establish or strengthen the Earth for the following year or two years.

To some, the theory of the eternal return may suggest a view of traditional societies as stagnant and unimaginative, afraid to try anything new. However, Eliade argues that the eternal return does not lead to "a total cultural immobility".

There is no reason to hesitate before setting out on a sea voyage, because the mythical Hero has already made [such a voyage] in the fabulous Time. All that is needed is to follow his example. Similarly, there is no reason to fear settling an unknown, wild territory, because one knows what to do. According to Eliade, traditional man has endless creative possibilities because "the possibilities for applying the mythical model are endless".

According to Eliade, this yearning to remain in the mythical age causes a "terror of history". Traditional man desires to escape the linear march of events, empty of any inherent value or sacrality.

In Chapter 4 of The Myth of the Eternal Return entitled "The Terror of History" and in the appendix to Myths, Dreams and Mysteries , Eliade suggests that the abandonment of mythical thought and the full acceptance of linear, historical time, with its "terror", is one of the reasons for modern man 's anxieties.

Traditional societies escape this anxiety to an extent, as they refuse to completely acknowledge historical time. Eliade describes the difference between ancient and modern man's reactions to history, as well as modern man's impotence before the terror of history, as follows:.

In our day, when historical pressure no longer allows any escape, how can man tolerate the catastrophes and horrors of history—from collective deportations and massacres to atomic bombings—if beyond them he can glimpse no sign, no transhistorical meaning; if they are only the blind play of economic, social, or political forces, or, even worse, only the result of the 'liberties' that a minority takes and exercises directly on the stage of universal history?

We know how, in the past, humanity has been able to endure the sufferings we have enumerated: they were regarded as a punishment inflicted by God, the syndrome of the decline of the "age," and so on. And it was possible to accept them precisely because they had a metahistorical meaning Every war rehearsed the struggle between good and evil, every fresh social injustice was identified with the sufferings of the Saviour or, for example, in the pre-Christian world, with the passion of a divine messenger or vegetation god , each new massacre repeated the glorious end of the martyrs.

By virtue of this view, tens of millions of men were able, for century after century, to endure great historical pressures without despairing, without committing suicide or falling into that spiritual aridity that always brings with it a relativistic or nihilistic view of history [24]. In general, according to Eliade, traditional man sees the eternal return as something positive, even necessary. However, in some religions, such as Buddhism and certain forms of Hinduism , the traditional cyclic view of time becomes a source of terror:.

The periodical resanctification of cosmic time then proves useless and without meaning. But repetition emptied of its religious content necessarily leads to a pessimistic vision of existence. When it is no longer a vehicle for reintegrating a primordial situation When the world becomes desacralized, the traditional cyclic view of time is too firmly entrenched to simply vanish. It survives, but in a profane form such as the myth of reincarnation. Time is no longer static, as for the Karadjeri, for whom almost every action imitates a mythical model, keeping the world constantly in the mythical age.

Nor is time cyclical but sacred, as for the ancient Mesopotamians, whose ritual calendar periodically returned the world to the mythical age. For most of traditional humanity, linear history is profane, and sacredness lies in cyclic time. But, in Buddhism, Jainism , and some forms of Hinduism, even cyclic time has become profane. The Sacred cannot be found in the mythical age; it exists outside all ages.

The myth of the eternal return : cosmos and history

In the Euro-American academy it is customary to attempt such a reconstruction through the study of ancient mythology. Unable to display preview. Download preview PDF. Skip to main content. This service is more advanced with JavaScript available.

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Mircea Eliade — was a Romanian-born historian of religion who did much to shape that discipline and make it an intellectual force in the twentieth century. Eliade graduated from the University of Bucharest in , then in — studied Indian philosophy at the University of Calcutta and yoga at an ashram in Rishikesh. Returning to Romania, he earned his Ph. Eliade joined the faculty of the University of Bucharest in , where he taught history of religion and Indian philosophy, as well as becoming a widely-read author of fiction and journalistic commentary in the s, somethings being spoken of as a major voice of the younger generation of Romanians. In those troubled times for Romania and Europe, toward the end of the decade Eliade became involved in the rightist politics of the fascist Iron Guard movement; when the King, Carol II,

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The Myth of the Eternal Return or, Cosmos and History

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Cosmos and History: The Myth of the Eternal Return

Skip to search form Skip to main content You are currently offline. Some features of the site may not work correctly. Eliade and William R.

 Это для вашей же безопасности, - объяснил Морант.  - Вам незачем знать, что вы переводите. Беккер засмеялся. И увидел, что никто даже не улыбнулся, когда текст был наконец расшифрован.

This founding work of the history of religions, first published in English in , secured the North American reputation of the Romanian emigre-scholar Mircea.

The Myth of the Eternal Return: Or, Cosmos and History

С пистолетом в руке он рвался вперед, к тупику. Но Беккера там не оказалось, и он тихо застонал от злости. Беккер, спотыкаясь и кидаясь то вправо, то влево, продирался сквозь толпу. Надо идти за ними, думал .

Сьюзан была ошеломлена. ТРАНСТЕКСТ еще никогда не сталкивался с шифром, который не мог бы взломать менее чем за один час. Обычно же открытый текст поступал на принтер Стратмора за считанные минуты. Она взглянула на скоростное печатное устройство позади письменного стола шефа.

Eliade, Mircea


  1. Cacklilula 31.05.2021 at 11:33

    This is an essay which everyone interested in the history of religion and in the mentality of ancient man will have to read.

  2. Plextimsvamas1953 05.06.2021 at 14:46

    The " eternal return " is an idea for interpreting religious behavior proposed by the historian Mircea Eliade ; it is a belief expressed through behavior sometimes implicitly, but often explicitly that one is able to become contemporary with or return to the " mythical age"—the time when the events described in one's myths occurred.